The Australian War Memorial Collection. Test site
Depicts the figures of a Prussian officer, holding his helmet in his left hand, the female figure of Columbia, standing holding a sword and the female figure of Humanity, with wings and a small child resting on her lap. The cartoon was published in 'The Nation', London, on 19 June 1915, with the following caption; 'Coumbia to the Kaiser: - "What Humanity dictates, that shall I perform". Prussia: - "Humanity, Madam! Humanity!! This is gross partisanship". From 1915, a number of Dyson's caricatures were published, characterised by his response to Germany's military monarchy. Using a figure loosely based on the Kaiser, Dyson identified the 'common enemy' and attacked it with vigour. When some of his anti-German cartoons were published in 1915, they were accompanied by the following foreword; 'Mr. Dyson...responds to all the fearful pressure of this war in cartoons. He perceives a militaristic monarchy and national pride a threat to the world, to civilisation, and all that he holds dear, and straightaway he sets about to slay it with his pencil...he turns his passionate gift against Berlin." Will Dyson was the first Australian official war artist to visit the front during the First World War, travelling to France in December 1916, remaining there until May 1917, making records of the Australian involvement in the war. He was formally appointed as an official war artist, attached to the AIF, in May 1917, working in France and London throughout the war. His commission was terminated in March 1920.
Depicts a figure of a Prussian officer and a man, possibly the British Prime Minister, standing on top of a hill, with surprised expressions on their faces, while airplanes circle around them and over
Depicts the dejected figure of Kaiser Wilhelm II slumped in his throne, overshadowed by the huge winged figure of Death, a skeleton wearing a robe and carrying a sickle. This cartoon was published in
This cartoon was published in 'Land and Water' 4 December 1915, in London, and comments on the German idea that the East had been made to take the place of Paris, Calais and Petrograd, Russia as the '
Depicts a German family scene, consisting of a mother, holding baby and scolding a small child for disturbing her father. The father, a German officer in uniform, slumps wearily in a chair. The captio
Depicts the figures of two German men; one is standing and crying, while the other is seated at a desk, writing in a ledger book. The text accompanying this cartoon, when it was published in the 'Dail
Depicts two figures, either Kaiser Wilhelm II and Emperor Franz Josef or 'Germania' and Wilhelm. The thin, elderly figure on the right may also represent the declining Austro-Hungarian empire gazing
