[study for 'Transport driver']
Art ART90952 Second World War, 1939-1945Aircraftwoman Florence Ethel Miles, Women's Auxiliary Australian Air Force, 25 Operational Base Unit, Cairns, Queensland.

The Australian War Memorial Collection. Test site
Heysen selected Aircraftwoman Florence Ethel Miles as the subject for this painting, since she saw Florence as a 'young, forward lass'. Miles enlisted in the WAAAF in 1942, aged 21. Prior to the outbreak of war she had worked as a sales assistant for a shoe company in Melbourne. She held a driver's licence and had gained considerable experience driving a variety of vehicles. Once enlisted, she was sent to the Engineering School and served at the No. 25 Operational Base Unit in Queensland. Given her experience with vehicles, it was inevitable that she would become a driver during the war. 'Transport driver' is a compelling portrait of a confident young woman who, despite the masculine uniform and large leather gloves, retains her femininity. Heysen first made a sketch of Miles in charcoal. She transferred this to canvas, placing the figure in a bus, a vehicle that required strength to manoeuvre.
Portrait of Miss Ruth Fowler, a Munitions Supply Transport Driver attached to the Commonwealth Explosives Factory, Maribynong. Miss Fowler is portrayed wearing her full driver's uniform, and a vehicle

Collection relating to the Second World War service of VF388102 Private Marianne Florence Drury, 2nd Signal Training Battalion, Australian Women’s Army Service, Australia, 1942. This collection consi
Florence Nightingale Medal. Impressed reverse, in French, with recipient's details. Barbara 'Biddy' Goff was born on 13 April 1902 in Ipswich Queensland. She married Orpen Boyd Moriarty in 1927 when

A transport driver sleeping behind his truck at Larrimah in the Northern Territory. These drivers often had to drive over 200 miles per day in very hot weather, often driving for seven days at a stre
Seccombe created 'Crossing the line 24.8.1916' in memory of her grandfather Clarence Edwin Seccombe to whom she was very close as a child. In this work she has enlarged a tiny photograph Clarence took

Lawrie Margaret Hobbs (nee Pfeiffer) interviewed by Alison Viney Houghton for her "The Age of Innocence 1937-1947" oral history project. The interview covers her experience as a young person living th