The Australian War Memorial Collection. Test site
Gallipoli soldier on the beach. The soldier has been drawn using black crayon and textile rubbing technique. He is wearing puttees and shorts and stands before a black landscape and strip of bright blue sea with head bowed. The landscape is textured and appears scarred and ravaged through the use of Nolan's rubbing technique. Nolan had visited museums in Athens and seen many Ancient Greek sculptures and artifacts. The rubbing seems to refer to the style of hieroglyphic bas-relief sculpture.
Gallipoli landscape. The landscape has been drawn using black crayon and textile rubbing technique. The landscape is textured and appears scarred and ravaged through the use of Nolan's rubbing techniq
The landscape is textured and appears scarred and ravaged through the use of Nolan's rubbing technique. Nolan had visited museums in Athens and seen many Ancient Greek sculptures and artifacts. The ru
The landscape is textured and appears scarred and ravaged through the use of Nolan's rubbing technique. Nolan had visited museums in Athens and seen many Ancient Greek sculptures and artifacts. The ru
Gallipoli landscape with horse and rider mounted on the horses neck. The soldier and horse have been drawn using black crayon and textile rubbing technique. The work refers to links between Anzac's an
Gallipoli landscape with horse's head. The horse have been drawn using black crayon and textile rubbing technique. The work refers to links between Anzac's and Homeric soldiers. Nolan stated (intervie
Monochromatic landscape created using rubbing transfer technique with crayon strokes in the foreground suggestive of a donkey. This work was presented by Sidney Nolan, along with 251 other Nolan's fro
