The Australian War Memorial Collection. Test site
Depicts the Red Chateau at Villers-Bretonneux, which was used as headquarters by the 1st Australian Division after the recapture of Villers-Bretonneux in April 1918. James Fraser Scott's (1877- 1932) official war art is particularly informative, both due to his experiences as a soldier who had seen active service in the First World War, and also because of his physical proximity to key battles. He was selected from the ranks of soldiers in May 1918 to work as an artist with the Australian War Records Section, and was able to quickly interpret and record crucial moments in Australian military history. Scott was a highly trained artist. Following his time at the Dunedin School of Art in New Zealand, he received an extensive art education in Europe. During the 1890s he travelled to Paris, studying at the Academie Julian and subsequently in Munich, Antwerp and Italy. Enlisting in the 50th Battalion, AIF, in May 1916, he served in France; he later sustained injuries to his hand and neck in September 1916 at Zonnebeke. Following this, Scott suffered from poor health, and contemporaries believed the illnesses and injuries he incurred during the war contributed to his death. After he was seconded to work with the Australian War Records Section, Scott initially worked as Officer in Charge of Camouflage attached to the 1st Division AIF. In order to record military life he then accompanied the AIF through numerous engagements in France in 1918 - 1919. Scott was also an accomplished illustrator before the war, and during the conflict produced numerous black and white illustrations about life in the army. In 1918, he contributed pieces to the short-lived publication about the AIF in Europe, 'The Dinkum Australian'. Following armistice, Scott worked in a studio at St John's Wood with fellow Australian War Records artists Will Longstaff, Frank Crozier and George Benson. After his commission ended in 1920, Scott subsisted on a small war pension in London, and struggled to make a living as an artist.
Watercolour sketch depicting the ruins of the church at Villers-Bretonneux with debris strewn across the ground and small sections, such as columns and archways, of the church left standing. James Fra
Depicts wrecked British Gun Carrier MK 1 supply tanks outside the town of Villers-Bretonneux. James Fraser Scott's (1877- 1932) official war art is particularly informative, both due to his experienc
Depicts an 18th or 19th century chateau near Villers Bretonneux in France during the First World War. George Courtney Benson (1886-1960) was a painter and muralist. He studied at the National Gallery
Depicts the encampment of the 1st Field Artillery Brigade, 1st Battery, at Aubigny, with horses tethered under trees, horse blankets lined with striped woollen blankets airing in sun, harnesses on ra
Depicts the headquarters office of the General Officer Commanding of the 1st Division AIF, set in Buire Wood, part of the Hindenberg out post line. There are several huts and duckboard paths depicted
Depicts a dead machine gunner who had been killed at his post near Foucaucourt. Beside him is a machine gun and at his feet, his helmet. James Fraser Scott's (1877- 1932) official war art is particula
