G01793
Photograph G01793 Period 1910-1919View from Australian trenches on Johnston's Jolly looking north. Plugge's Plateau is on the left and Sphinx on the right. Suvla Bay and Salt Lake are seen in the distance. One of a series of photog

The Australian War Memorial Collection. Test site
From Johnston's Jolly looking towards the beach and in the distance Suvla Bay . On the right is again the prominent feature of the Sphinx and to the left the flat land of Plugge's Plateau. In the foreground are still existing trenches and tunnels in which may be found bones, shells, cartridge cases and other detritus of war.
View from Australian trenches on Johnston's Jolly looking north. Plugge's Plateau is on the left and Sphinx on the right. Suvla Bay and Salt Lake are seen in the distance. One of a series of photog

This pencil sketch depicts the water tanks in the course of preparation in the middle foreground. In the distance we can see the landmark named "The Sphinx" and to the right, Suvla Bay, Salt Lake and
Towards the end of his stay on Gallipoli with the Australian Historical Mission, Lambert made a painting of ANZAC Cove with the hills of Suvla in the distance. Lambert wrote on 5 March 1919: "In the a

From Walker's Ridge looking towards the Sphinx and in the far distance Ari Burnu Point. While completing the sketch on which this painting is based, Clifton noticed some Australian soldiers climbing f

Another view of Plugg's Plateau with the Sphinx in the foreground and the Anzac frontline in the distance. To the left is the Nek marked by the slight area of flat ground. To the far left is Walker's

The high ridge of the Sphinx, a sharp spur, dominates the scene. Hampered by poor weather, George Lambert painted this work in three sessions. On 18-21 February 1919 he wrote: "Two fair days out of fo
