The Australian War Memorial Collection. Test site
No. 3 from a portfolio of 7 etchings, titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval allegory on the universality of death and the all-conquering and equalising power of death.
In this etching 'Death awed', Death stands on a duckboard in a flooded battlefield of the Somme and contemplates two boots in the mud, which have broken bones and flesh protruding from them.
Percy Smith was a painter, calligrapher and book designer. He began to etch in 1913. He served as a gunner in the Royal Marine Artillery on the Somme during the First World War. He surreptitiously made drawings of his war experiences while at the Front and because of this was arrested twice as a spy. Etching plates were smuggled out to him between the pages of magazines.
No. 1 from a portfolio of 7 etchings titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval
No. 7 from a portfolio of 7 etchings, titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval
No. 2 from a portfolio of 7 etchings titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval
No. 6 from a portfolio of 7 etchings, titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval
No. 4 from a portfolio of 7 etchings, titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieva
No. 5 from a portfolio of 7 etchings, titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval
No. 6 from a portfolio of 7 etchings, titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval
No. 4 from a portfolio of 7 etchings, titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieva
No. 5 from a portfolio of 7 etchings, titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval
No. 7 from a portfolio of 7 etchings, titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval
No. 2 from a portfolio of 7 etchings titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval
No. 1 from a portfolio of 7 etchings titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval