Semakh
Art ART91119 First World War, 1914-1918On 25 September 1918, Semakh was the scene of a short action between Australian light horsemen and a mixed force of Turks and Germans. Located at the southern end of Lake Tiberias (the Sea of Galilee)

The Australian War Memorial Collection. Test site
In 2013, in preparation for the commemoration of the centenary of the First World War, the Australian War Memorial commissioned landscape artist Alexander McKenzie to paint a new background for the Memorial's Semakh diorama (ART91119). The diorama was originally made in 1926-27 and depicts the events of 25 September 1918, when the 11th Light Horse Regiment attacked the village of Semakh in Palestine.
This study was the second of four that the artist produced on site in Israel during the development of his concept for the diorama background. The work shows how McKenzie was experimenting with light for the background scene, as well as different references he incorporated into the final work. For instance, the mosque and minaret in the lower left part of the painting are based on a study by George Lambert, which was painted near the same location during Lambert's time as official war artist.
On 25 September 1918, Semakh was the scene of a short action between Australian light horsemen and a mixed force of Turks and Germans. Located at the southern end of Lake Tiberias (the Sea of Galilee)

Recto: artist notes written during Lambert's time in Palestine with the 2nd Light Horse. It lists the names of places including Romani, Magdhaba Raafa and Beersheba as well as gives a description of
A soldier walks along the left side of a saddled horse. This is a study for the figure and horse that appears on 'The Anzacs', Lambert's entry in the Desert Mounted Corps memorial competition.
Fifth page of the sketchbook titled, 'Pocket Book No 2 containing 18 notes, material & pictures,' which was used by George Lambert. On the front appears a study of the lower torso of a light horseman.
A study for a Centurion tank; possibly Royal Armoured Corps, British Commonwealth Forces. It was probably drawn in the artist's studio as a preparatory sketch for the main painting 'Centurion tank' (A

Study for 'Taking Old Vickers Position, Bobdubi Ridge, 28 July 1943'. The nature of this work suggests that the artist drew it in his studio as a study for the large canvas, perhaps using a model to