The Australian War Memorial Collection. Test site
Depicts the figure of the god of war, Mars, standing astride a canon and tearing up a piece of paper, a deed, on which is written ; 'I, Mars, God of War, hereby do promise To Germany Kingship over all the Earth and the Waters...' while he looks down on the forlorn figure of a German or Prussian general with the Imperial Eagle resting on his back. This cartoon was published in Dyson's 'War Cartoons' (London, 1916) with the caption; 'Mars: - "What presumption, mortal! Did you think that you alone could break agreements?" and the following accompanying text; 'Amongst the intellectual and moral forces which have been marshaled, in these great days, to fight in the crusade against Prussianism and Militarianism, and to achieve the liberation of Europe from a yoke scarcely less oppressive and hateful than that of old time slavery, the brilliant Australian artist Will Dyson, has won a distinguished and honourable place. No one has seen more clearly or satirised with more power, the character and motives of German 'real politik' of that brutality and craft masquerading as 'Kultur' and superior civilization which is seeking to impose its supremacy upon European peoples.... Germany tore up the 'scrap of paper' relating to her joint guarantee of Belgian neutrality, trusting that the result would prove that her 'might' proved her 'right' to do such an act- that the end would justify the means...'. From 1915 , a number of Dyson's caricatures were published , characterised by his response to Germany's military monarchy. Using a figure loosely based on the Kaiser, Dyson identified the 'common enemy' and attacked it with vigour. When some of his anti-German cartoons were published in 1915, they were accompanied by the following foreword; 'Mr. Dyson...responds to all the fearful pressure of this war in cartoons. He perceives a militaristic monarchy and national pride a threat to the world, to civilisation, and all that he holds dear, and straightaway he sets about to slay it with his pencil...he turns his passionate gift against Berlin." Will Dyson was the first Australian official war artist to visit the front during the First World War, travelling to France in December 1916, remaining there until May 1917, making records of the Australian involvement in the war. He was formally appointed as an official war artist, attached to the AIF, in May 1917, working in France and London throughout the war. His commission was terminated in March 1920.
Depicts the dejected figure of Kaiser Wilhelm II slumped in his throne, overshadowed by the huge winged figure of Death, a skeleton wearing a robe and carrying a sickle. This cartoon was published in
Depicts a caricature of two men (one possibly the British Prime Minister, or a thin and fat German man walking) standing above a landscape with thousands of young men below heading towards the recruit
This cartoon was published in 'Daily Sketch', London, 8 May 1916, on the anniversary of the sinking of the SS Lusitania, in effect blaming the government of the United States for the sinking and death
Depicts a figure of a German officer, in uniform wearing a helmet and cape, looking behind him at a fire burning, while in front of him is a man holding a bill with the words 'Reply to America' on it.
Depicts a caricature of Kaiser Wilhelm II climbing up a huge pile of human skulls, representing war dead, while smoking ruins appear in the background. Dyson's distinctive biting satire aimed at war a
Depicts the cartoon published in the London 'Daily News', 26 October 1915, commenting on the execution of Edith Cavell, a British nurse accused by the Germans of being a spy. The slumped and bloodied
Depicts the dejected figure of Kaiser Wilhelm II slumped in his throne, overshadowed by the huge winged figure of Death, a skeleton wearing a robe and carrying a sickle. This cartoon was published in
Depicts a figure of a Prussian officer and a man, possibly the British Prime Minister, standing on top of a hill, with surprised expressions on their faces, while airplanes circle around them and over
Depicts a German family scene, consisting of a mother, holding baby and scolding a small child for disturbing her father. The father, a German officer in uniform, slumps wearily in a chair. The captio
Depicts the figures of a Prussian officer, holding his helmet in his left hand, the female figure of Columbia, standing holding a sword and the female figure of Humanity, with wings and a small child
This cartoon was published in 'Land and Water' 4 December 1915, in London, and comments on the German idea that the East had been made to take the place of Paris, Calais and Petrograd, Russia as the '
