Hounds
Art ART29720 Gulf War, 1990-1991Three dogs tearing apart an oil covered seabird. Gittoes wrote of this work: 'Hounds refers to the old symbol the dogs of war. The combatants in this conflict, symbolised by the dogs, are not tearing
The Australian War Memorial Collection. Test site
The right of the work features New York skyscraper architecture, including the Empire State Building. A scene from Baghdad is on the left side, with the watertower being the main feature. The sky above Baghdad swirls and explodes with tracers, bombs and missiles, as Muhammad rides towards the enemy on his mythical steed, Buraq. Above the New York skyscrapers a Texas cowboy is balancing on his horse, his guns blazing. The etching symbolises the beginning of the Gulf War conflict on the first night of bombing in Baghdad. The title of the etching is based on the novel , 'Fountainhead' by Ayn Rand. The moral theme of the novel concentrates on the 'conflict between creative-social aspiration and the negative forces of materialism, jealousy and conservatism', reflected in the theme of the etchings. This etching also conveys the clash of cultures between the United States (as represented by the skyscrapers and the Texan riding a horse) on the right and Baghdad, Iraq on the left of the etching represented by the watertower and Muhammad on his horse. This work is one of a series of twenty four etchings Gittoes produced during the build up to the First Gulf War in 1990, printed at Studio One Printmaking Workshop, Canberra, 1991.
This work comes from the suite of 22 etchings 'One man's war, a woman's perspective'. It is a print of a news article with the headline 'Stayed for swimming'. Two 'identity discs' made from printing
This work is from the suite of 22 etchings 'One man's war, a woman's perspective'. Various soldiers are depicted throughout the work. Their stature is stiff, giving them the look of a 'toy soldier'.
Three dogs tearing apart an oil covered seabird. Gittoes wrote of this work: 'Hounds refers to the old symbol the dogs of war. The combatants in this conflict, symbolised by the dogs, are not tearing
Soft ground etching, from a series of 10 etchings Arnold completed while completing an artist residency in Paris. The work was inspired by the artist's trip to the historic battlefields in Northern Fr

No. 5 from a portfolio of 7 etchings, titled 'The dance of Death', features Death as a tangible image hovering ominously over the battlefield. The concept of dance of Death imagery began as a medieval

Depicts the interior of a coffee house in Baghdad, with a patron sitting on a divan being served with coffee. From Set 2 of a portfolio of 15 etchings based on sketches done on active service in Mesop