Fountainhead
Art ART29719 Gulf War, 1990-1991The right of the work features New York skyscraper architecture, including the Empire State Building. A scene from Baghdad is on the left side, with the watertower being the main feature. The sky abov

The Australian War Memorial Collection. Test site
Three dogs tearing apart an oil covered seabird. Gittoes wrote of this work: 'Hounds refers to the old symbol the dogs of war. The combatants in this conflict, symbolised by the dogs, are not tearing one another apart but have a fragile sea bird in their jaws. This symbolises the war on the environment and points out the fact that the Gulf War has added a new casualty, nature, to the usual list of war casualties'. The work is one of a series of 24 etchings, the 'Empire State Suite', Gittoes produced during the build up to the First Gulf War in 1990, printed at Studio One Printmaking Workshop, Canberra, 1991.
A seabird covered in oil, with burning oil rigs in the background. Gittoes wrote: 'This image was a response to the television footage of the environmental damage when Iraq allowed oil to spill into t
The right of the work features New York skyscraper architecture, including the Empire State Building. A scene from Baghdad is on the left side, with the watertower being the main feature. The sky abov

A woman cradling a child on the shoreline, while bent rods surround her, the ghost of a dog leaps over her and United Nations ships sail in the Gulf . Gittoes wrote of this image: 'One of the most hea
This work comes from the suite of 22 etchings 'One man's war, a woman's perspective'. It is a print of a news article with the headline 'Stayed for swimming'. Two 'identity discs' made from printing
This work is from the suite of 22 etchings 'One man's war, a woman's perspective'. Various soldiers are depicted throughout the work. Their stature is stiff, giving them the look of a 'toy soldier'.
This work is one of a suite of ten etchings, collectively titled 'Memory/History, created in 1998 when Arnold was in residency at the Atelier Lacouriere et Frelaut in Paris (1998-1999). The work was i
