Speak no evil
Art ART90136 Vietnam, 1962-1975Two naked figures without heads lie diagonally across in a womb. The background is a dark rusty red and a single eye and the words 'speak no evil' are below. Lawton was a singer as well as a visua

The Australian War Memorial Collection. Test site
An abstract portrait with one large eye dominating the forehead, and the naked outline of a woman, including a baby in the womb, where the facial features such as nose and mouth would usually be on a face. Bold back outline is used throughout the work, while the background is a rusty read. The words 'See no evil, hear no evil are in the lower left of the work. Lawton was a singer as well as a visual artist and performed twice for troops in Vietnam during the course of the war. As a result her pieces are very different from other artists who responded to Vietnam who did not have first-hand experience but instead were using imagery from the media. Her work is raw and powerful, created in response to what she sees as 'irrationality gone wild'.
Two naked figures without heads lie diagonally across in a womb. The background is a dark rusty red and a single eye and the words 'speak no evil' are below. Lawton was a singer as well as a visua

An an abstract composition including a figure wearing a gas mask. Three images of lips are the focal point of the work. There are contained within a black barrier which forms part of the outline of

A body with an oversized brain. One eye covers the chest. Phases such as 'Conscience, sorry - centre closed'. The background is red while the body is black and white. Lawton was a singer as well

A distorted foetus within a womb. The head is joined but comprises two distinct faces. On the left is a bird with a protruding beak while on the right is a skeleton. The rest of the body is in earl

A propaganda leaflet produced by the Far Eastern Liaison Office (FELO) during the Second World War. This leaflet is written in Japanese and was distributed to Melanesia and Netherlands East Indies. An

Worried about the rise of vice during the war including crime, public drunkenness and carnality in certain streets, Tucker's works began to reflect these themes. Presenting the city as a threatening,
