Bunfight
Art ART90138 Vietnam, 1962-1975A body with an oversized brain. One eye covers the chest. Phases such as 'Conscience, sorry - centre closed'. The background is red while the body is black and white. Lawton was a singer as well

The Australian War Memorial Collection. Test site
A distorted foetus within a womb. The head is joined but comprises two distinct faces. On the left is a bird with a protruding beak while on the right is a skeleton. The rest of the body is in early stages of development. There is a dark green background, and the words 'compromise' above the figure. The result is a haunting, unsettling image.
Lawton was a singer as well as a visual artist and performed two tours to entertain troops in Vietnam during the course of the war. As a result her pieces are very different from other artists who responded to Vietnam who did not have first-hand experience but instead were using imagery from the media. Her work is raw and powerful, created in response to what she sees as 'irrationality gone wild'.
A body with an oversized brain. One eye covers the chest. Phases such as 'Conscience, sorry - centre closed'. The background is red while the body is black and white. Lawton was a singer as well

Two naked figures without heads lie diagonally across in a womb. The background is a dark rusty red and a single eye and the words 'speak no evil' are below. Lawton was a singer as well as a visua

An an abstract composition including a figure wearing a gas mask. Three images of lips are the focal point of the work. There are contained within a black barrier which forms part of the outline of

An abstract portrait with one large eye dominating the forehead, and the naked outline of a woman, including a baby in the womb, where the facial features such as nose and mouth would usually be on a

The cover imagery of 'Hundstage: Paris' is a grainy black and white photograph of German troops moving swiftly on foot through Belgium. Road signs in the background show that they are closing in on th

Depicts a scene with figures of a soldier holding a gun, a figure with arms raised and a white silhoutted face and body set against an intense red background, with a bunker roof visible in the top of
